![]() The expositions of the first and second movement of either the Mozart G Major or D Major Flute Concerto, with accompaniment 2. Pre-screening: Pre-screening recording should not to exceed 25 minutes. Stravinsky Three PIeces, Carter Gra, Sutermeister Capriccio, Messaien Abyss of theīirds) 4. Two contrasting etudes (i.e., by Rose, Jeanjean, Cavallini, Jettel) OR One etude (examples given above) AND one unaccompanied 20th or 21st Century work (i.e., One work for clarinet and piano (i.e., sonatas by Brahms, Poulenc, Bernstein, Reger ĭuo Concertante). One standard work for clarinet and orchestra (i.e., concertos by Mozart, Weber, Five standard orchestral excerpts MM Level (Live preferred CD submission acceptable) 1. ![]() Two contrasting etudes (i.e., by Rose, Jeanjean, Cavallini, Jettel) 5. Gra, Sutermeister Capriccio, Messaien Abyss of the Birds, Widmann Fantasie) 4. One unaccompanied 20th or 21st Century work (i.e., Stravinsky Three Pieces, Carter The Muczynski Time Pieces, Schumann Fantasy Pieces, Françaix Variations, Weber Grandĭuo Concertante). One work for clarinet and piano (i.e., sonatas by Brahms, Poulenc, Bernstein, Reger Memorization is recommended but not required. The Debussy work may be used as the second category Nielsen, Copland, Françaix, Tomasi the Rossini Variations the Debussy Prémière Rhapsodie A movement of an unaccompanied work OR a reasonably challenging etude.ĭMA Level 1. A concerto movement of the applicant's choosing, with piano accompaniment. Grand Duo, etc.) or a one-movement work (i.e., Messager, Chabrier, Bozza "Bucolique,"ĭebussy Rhapsody, etc.) 2. One selection of a work for clarinet and piano, with piano accompaniment: thisĬan be a movement from a multi-movement piece (i.e., Brahms, Poulenc, Muczynski, Weber He welcomes any questions via e-mail: Cello ![]() These substitutions must be reviewed by Frank Substitutions for the above requirements willīe considered on a case by case basis. At least eight contrasting, standard orchestral excerpts. Repertoire, the composer, performance practice, the edition used as compared to otherĮditions of that work, etc. Be prepared to discuss (including, but not limited to): Each work's place in bassoon Three additional complete, contrasting works, one may be unaccompanied. K191, Weber Concerto, Hummel Concerto, Jolivet Concerto 2. At least one complete bassoon concerto from the following list: Mozart Concerto Four contrasting, standard orchestral excerpts. Three complete, contrasting solo works: At least one must be a major concerto (e.g., The recording should be accompanied by the Audition Form and a one-page resume. At least one example must be with accompaniment. Listed below, totaling around 15 minutes. Include applicant's choice of approximately 3 samples of the live audition repertory Pre Screening: A recording must be received from all applicants (MM and DMA). Please go to our Application page to access Pre-screen recordings must be submittedĪudio-Visual recordings are encouraged, though audio-only is acceptable. Requirements for each instrumental or vocal area. See below under Audition Requirements for the specific repertoire Pre-Screening recordings are required for these areas: Bassoon, Clarinet, Flute, Jazz, Only in exceptional circumstances and at the discretion of the audition committee.Īll live auditions are to be held at Stony Brook University. Please go to our Application page toĪll doctoral auditions are expected to be live. Recordings must be submitted through Slate. See below under Audition Requirements for the specific repertoire requirementsĪudio-Visual recordings are encouraged, though audio-only is acceptable. Masters applicants who live more than 250 miles from New York City may submit a live Of faculty is on our website here (click on the person’s name to see their contact May wish to have with you, such as an interview or sample lesson.Īny questions regarding audition repertoire should be directed to the studio. Please note: each studio will contact you regarding any additional communication they Below you will find each studio listed, with the following information for each:Īudition Date, Audition Repertoire, and the format of the audition (in person, recording,
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